Wednesday, December 10, 2014

The Great 'Bro Country' Debate

In 1999 Country Music Superstars George Strait and Alan Jackson performed their song "Murder on Music Row" on the CMA Award Show- country music’s biggest night. The song, which has been described as a “lament and criticism of the ongoing trend of country pop crossover acts and pop influences on country music, a trend that has pushed traditional and neo-traditional country music (and those who perform it) to the periphery,” was brought to the forefront again this year George Strait’s farewell concert performance where Strait and Alan Jackson performed it again. The consensus of many in the industry is that the song is more relevant today than it was almost fifteen years ago- particularly with the emergence of ‘Bro Country’

The term, coined in 2013 and defined by the prominent country music blog
Taste of Country, refers to “music by and of the tatted, gym-toned, party-hearty young American white dude.” Artists such as Luke Bryan and the platinum-selling duo Florida-Georgia Line have been labeled ‘Bro Country’ for their partying, fraternity style song lyrics and, what some believe, female-unfriendly messages. The female-unfriendly lyrics aside, country music traditionalists have questioned ‘bro-country’ music being labeled as country at all- as it often reflects heavy rock and/or hip-hop influences. For anyone who listens to the lyrics of “Murder on Music Row,” Strait and Jackson shared similar concerns fifteen years ago.

Over a year after the term ‘Bro Country’ was coined, 'Bro Country' is still thriving and the divides it is causing are getting deeper and deeper. Whether it is the traditionalists versus modern country artists, or even men versus women because of the way women are often portrayed in ‘Bro Country’ lyrics, it is clear that ‘Bro Country’ has everyone’s attention and has people talking (and even singing) about it. Whether or not that talk’s enough to sustain this sub-genre through the natural ebb and flow of the country music industry has yet to be seen. However, until then, it will keep artists like Florida-Georgia Line at the top of the charts and their concert tickets sold out.

1 comment:

  1. Here is a post from Country Music Superstar Ronnie Dunn just today via his Facebook page:

    http://theboot.com/traditional-country-music-dead/
    I remember, years ago the Wall Street Journal headline read, "COUNTRY MUSIC IS DEAD". Shortly after that Randy Travis exploded onto the scene.

    I think the predominate issue is that radio, for the most part has historically, been the primary outlet to the public... consequently, heavily influencing what is "popular" and what isn't. Let me be quick to say that it is not a bad thing.

    Along with the "paradigm shift" mentioned in the attached article, vast numbers of new contemporary listeners access music through their phones and laptops. Word of mouth / texting is a huge driving force and integral part of the culture.

    The entire world, not just Country Music has shifted to a tech driven paradigm. Maybe Country Radio targeted an audience that doesn't necessarily, depend on it as the "go to" entity as much as it once did and some loyal listeners that did and do access music predominately via radio might be feeling a little left in the cold.

    If there is a peace treaty, it may be to find ways to bridge the transitional gap between traditional fans who were raised on radio and more contemporary music lovers ?

    ....... What makes a song "Country" ? RD

    ReplyDelete